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Subway Train/Everyday is like Sunday Move Festival, Manchester 2004
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Click Here Now to Help Guitar Moves Win a Webby Award: http://bit.ly/Vote4Noisey In the ninth episode of Guitar Moves, host Matt Sweeney meets Albert Hammond Jr. of the Strokes and discusses 90's style riffs, influences, and impressing your mom. Check out the Guitar Moves Playlist here: http://bit.ly/17rsTdW Check out ep. 8 featuring St. Vincent here: http://youtu.be/NE7R4nKBK8Y Guitar Moves, hosted by Matt Sweeney, is a show where the viewer gets an opportunity to sit in on a private, interesting, and hilarious conversation about guitars, music, life, and craft. During the season, Sweeney and his guests play through licks, riffs, and solos that inform their style, influence their playing, and define their sound. Presented in partnership with XL Strings by D'Addario and Noisey. Check out D'Addario on Tumblr here: http://xlstrings.tumblr.com ** Subscribe to Noisey on YouTube to stay updated on our daily releases: http://www.youtube.com/noisey Videos, daily editorial and more: http://www.noisey.com Like Noisey on Facebook: http://fb.com/noisey Follow Noisey on Twitter: http://twitter.com/noiseymusic Read our tumblr: http://noiseymusic.tumblr.com
A featurette of how the minds of Hans Zimmer, Christopher Nolan, and Johnny Marr collaborated to create the soundtrack to the 2010 film Inception. **This video is not my property. No copyright infringment intended. (Sorry about the sub-par video quality and humming noise in the background, there wasn't really much I could do about that.)
The Beatles 1 Video Collection is out now. Available on: http://www.thebeatles.com/ Written by John as an expression of his love for Yoko Ono, the song is heartfelt and passionate. As John told Rolling Stone magazine in 1970, “When it gets down to it, when you’re drowning, you don’t say, ‘I would be incredibly pleased if someone would have the foresight to notice me drowning and come and help me,’ you just scream.” During filming on the roof of Apple, two days after the recording of the track, the band played ‘Don’t Let Me Down’ right after doing two versions of 'Get Back’ and it led straight into 'I’ve Got A Feeling’. Michael Lindsay-Hogg was once again directing a Beatles’ shoot. He and Paul met regularly at the tail end of 1968, while Hogg was directing The Rolling Stones Rock and Roll Circus, to discuss the filming of The Beatles’ session in January. By the time that fateful Thursday came around, the penultimate day of January would be the last time The Beatles ever played together in front of any kind of audience. This is not the version of ‘Don’t Let Me Down’ heard on the single but the version from the Let It Be… Naked album – a composite of both versions that were performed on the roof of Apple in Savile Row Official site: http://www.thebeatles.com Facebook: https://www.facebook.com/thebeatles/ Instagram: https://www.instagram.com/thebeatles Twitter: https://twitter.com/thebeatles
Ending scene from 'England Is Mine, 2017'. Morrissey and Johnny Marr meet for the first time and form the Smiths.
I don't understand why it's 360p, the original file is HD and YouTube refuses to leave it uncompressed.
Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.