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Follow Soundtrack Specialist on facebook: http://www.facebook.com/soundtrackspecialist facebook blog post #1: https://www.facebook.com/soundtrackspecialist/posts/496391677080502 facebook blog post #2: https://www.facebook.com/soundtrackspecialist/posts/640484575993164 Original Roundtable Link #1: http://www.hollywoodreporter.com/video/composers-full-uncensored-interview-404529 Original Roundtable Link #2: http://www.hollywoodreporter.com/news/zero-dark-thirty-life-pi-404029 Full uncensored interview with our composer roundtable guests, Mychael Danna (Life of Pi), Alexandre Desplat (Argo, Zero Dark Thirty, Rise of the Guardians, Rust & Bone, Moonrise Kingdom), Fernando Velasquez (The Impossible), Marco Beltrami (The Sessions, Trouble With the Curve), Danny Elfman (Frankenweenie, Hitchcock, Promised Land, Silver Linings Playbook), Patrick Doyle (Brave).
Entrevistamos en exclusiva a Juan Antonio Bayona, que nos contará de dónde viene su amor por el cine. Nos presenta "Un monstruo viene a verme" o cómo situar a un niño frente a una ruptura del pensamiento mágico. Suscríbete a /cerotube para tener lo mejor de #0, HAZ CLICK AQUÍ: http://www.youtube.com/channel/UCPgvCUSmHWm2177LkwLtZQw?sub_confirmation=1 Y DESCUBRE MÁS EN: http://www.movistarplus.es/cero/likes
Film composer Hans Zimmer reflects on his legendary career. Zimmer composed music for over 100 movies, including "My Beautiful Launderette," "Rain Man," "Gladiator," "Pirates of the Caribbean," "Batman Begins," "The Dark Knight," "The Dark Knight Rises," "Inception," "Interstellar," and "Blue Planet II." Tune in for BBC America's Planet Earth: Blue Planet II." Still haven’t subscribed to Vanity Fair on YouTube? ►► http://bit.ly/2z6Ya9M ABOUT VANITY FAIR Arts and entertainment, business and media, politics, and world affairs—Vanity Fair’s features and exclusive videos capture the people, places, and ideas that define modern culture. Hans Zimmer Breaks Down His Legendary Career, From "Rain Man" to "Inception" | Vanity Fair
Tema principal de la BSO "Lo Imposible" del compositor Fernando Velázquez. Orquesta Sinfónica de Ávila Cello: Rita Delgado Piano: Elena Moyano Director: Rubén Díez Auditorio Lienzo Norte, Ávila 23 de diciembre de 2012
Janine Jansen, violinist Exclusive interviews of 20 artists of the Verbier Festival. Recorded in Verbier, Switzerland, by Tim Burgess for medici.tv. Follow the 2013 interviews on Facebook https://www.facebook.com/medicitv Youtube http://www.youtube.com/user/medicitv Twitter https://twitter.com/medicitv Watch the 2013 Verbier Festival concerts in free replay on medici.tv! http://www.medici.tv/#!/verbier-festival-on-medicitv
Composer Fernando Velázquez's talents and style as a musical storyteller has given us some amazing scores such as The Orphanage, Mama, The Impossible and Crimson Peak among many others. Recently, Fernando continues his collaboration with director J.A. Bayona with A Monster Calls as well as with the fantasy adventure Zip & Zap And The Captain's Island (Zipi y Zape y la Isla del Capitán). Fernando talks about about his background and how he never remembers a time that he didn't want to write film scores. We discuss the differences between Spanish and American cinema, his relationship with J.A. Bayona, how he approached scoring A Monster Calls, and is posed with the question of "will we hear a Fernando Velázquez score for Jurassic World 2?" Fernando's music has brought the films he has scored to vivid and emotional life, and it's an enlightening delight to hear him speak about his craft.
Interview Produced & Presented By: